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We’re on the road again, dialed into high-flying honky-tonk as we cruise through Texas cotton patches and Midwestern pastures of plenty. Starting off in Illinois farm country, we meet up with Margo Price, who followed her dreams of songwriting to Nashville, Tennessee. She put her name on the map with songs about growing up in rural America, and has since dug in her heels while singing about a landscape of gender and economic inequities. Then, we look in the rear view mirror to our 2000 in-studio performance and interview with Willie Nelson, who reminisces about his hometown of Abbott, Texas, and the “opera of voices” he heard in its fields. Plus, songs from Muhlenberg County, Butcher Hollow, New Orleans’ 9th Ward, Bruce Springsteen’s Nebraska and Hendrix’s Both Sides of the Sky.


The great Texas river city is a mix of Mexican, German, Anglo and African American cultures, among others. Home to the Texas Conjunto Festival and the International Accordion Festival, San Antonio is best known for Tex-Mex or Téjano music played by squeeze box masters like Flaco Jiménez, Narciso Martinez and Mingo Saldivar among many. We’ll speak with Flaco, who in collaborations with Doug Sahm, Ry Cooder, and Los Super Seven, has carried the music worldwide. “Chicano brown-eyed soul” performers like Sunny and the Sunliners and other groups describe music that connected New Orleans and Louisiana Swamp Pop with San Antonio and East Los Angeles. We’ll also talk with Vox organ legend Augie Meyers who worked in the high hippie era with Doug Sahm as part of the Sir Douglas Quintet and later in the Texas Tornadoes. The conversation comes full circle with Max Baca, the leader and bajo sexto player of Los Texmaniacs who was influenced by both Flaco and Doug Sahm. The Grammy-winning family band sticks with tradition, but finds ways to include country, blues and rock. Plus music from Sam the Sham, Bob Wills and the Texas Playboys, Freddy Fender and Willie Nelson. ¡Vamos!